MEXIKODRO – Still Goin The EP
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MEXIKODRO – Still Goin The EP

MexikoDro, the producer who, together with his Beat Plugz colleagues, created plugg, returns to his roots. Stepping up to the mic, he successfully revisits the motivational trap music of its early days. Except that after all these years, that same motivation has changed in nature: the veteran’s aspiration now is to live a sober, ordinary life, harboring no illusions about anything.
JOHN GLACIER – Like A Ribbon
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JOHN GLACIER – Like A Ribbon

This occasional model that is John Glacier has all the hallmarks of a Londoner. Her wide-ranging circle, her music infused with post-punk and electronic influences, her monotone, low-key poetry, and her doubts and uncertainties ultimately have very little to do with rap. Nevertheless, on this compilation album, her formula often proves as haunting as it is seemingly disembodied.
SWAVAY – BILLY2
Posted inRap EPs

SWAVAY – BILLY2

In 2024, the EP "Billy" was R&B for the girls. So in 2025, its successor "Billy2" brings us trap music for the boys. Nothing particularly sensational in the end from this release by Metro Boomin’s protégé and James Blake’s rapper friend. But it is an improvement nonetheless. There's some “real trap shit” there, as SwaVay himself puts it, with a few well-aimed lines that hit just right.
TYLER, THE CREATOR – Don’t Tap The Glass
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TYLER, THE CREATOR – Don’t Tap The Glass

This is Tyler, the Creator’s dance album. His return to basics, as signaled by a cover that evokes 1980s hip-hop. But as this grotesque, parodic image also suggests, everything very quickly takes on a particular tone - acidic, acrimonious, and atrabilious - with a rapper like him. The sound is funky, but the sharp-tongued provocateur from Odd Future is still very much present.
KEY GLOCK – Glockaveli
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KEY GLOCK – Glockaveli

Following the success that was "Glockoma 2", Key Glock once again demonstrates, with his first album released through a major label, that he is capable of stepping into Young Dolph’s big shoes. With releases like "Glockaveli", he and his crew are securing for their label, Paper Route Empire, another decade at the forefront of the rap game - and the top spot within Memphis’s vibrant scene.
BIG YAVO – Dingers
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BIG YAVO – Dingers

Like him, hailing from Birmingham, Alabama, Big Yavo is Luh Soldier’s brother-in-arms. If "Dingers" is not quite what its title claims - a perfect hit, a home run - it is nonetheless his best album to date. It is a funny, full-blooded release, delivered with gusto by a bona fide showman, in a style that may be well-worn but remains effective: that of rough, unruly Southern rap tradition.
PAYROLL GIOVANNI – If Not Me Then Who
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PAYROLL GIOVANNI – If Not Me Then Who

Payroll Giovanni is one of the greatest, period. Since his days with Doughboyz Cashout, he has built a remarkable and hard-hitting discography. With this album, he adds yet another solid brick to an already towering body of work. It’s titled "If Not Me Then Who", and this is a fair question. If this man isn’t the greatest rapper to come out of Detroit, then who else could truly claim that title?
RIO DA YUNG O.G. – F.L.I.N.T. (Feeling Like Im Not Through)
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RIO DA YUNG O.G. – F.L.I.N.T. (Feeling Like Im Not Through)

Some come out of prison worn down, but others emerge in top form. In 2025, Rio Da Yung O.G. clearly belongs to the latter category. Dedicated to his city, his second album since his release is a success. Whether solo or alongside RMC Mike, YN Jay, and a few others, its leading figure does justice to Flint rap with a project packed to the brim with his flavorful, off-the-wall antics.
CLIPPING – Dead Channel Sky
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CLIPPING – Dead Channel Sky

Clipping still loves its concepts. This time, the trio leaves horrorcore behind to explore the cyberpunk universe and the threats looming over our hyperconnected world. True to its taste for experimentation, the Los Angeles band ventures into the realm of 1990s electronic music. All of this brings to mind the science-fiction-infused indie rap of that same era. And for that very reason, we like it.
LAZER DIM 700 – Sins Aloud
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LAZER DIM 700 – Sins Aloud

Freshly inducted as a “Freshman,” Lazer Dim 700 solidifies his position with "Sins Aloud", his second album. Across eighteen short tracks, his thoughts are scattered chaotically over disorderly productions, where the wobbly sounds of plugg seamlessly blend with various other influences. All of it ultimately reflects the strangeness and fragmentation of rap in the 2020s.
NO ID & SABA – From The Private Collection Of Saba And No ID
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NO ID & SABA – From The Private Collection Of Saba And No ID

Saba and No ID come from different generations, but they share their hometown of Chicago and a polished, refined approach to rap. Their collaboration results in a blend of jazz, soul, and introspective hip-hop. Enriched by numerous guest appearances and meticulous production, it is an eclectic work, where each track explores a different facet of the rapper, often brilliantly.
AESOP ROCK – Black Hole Superette
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AESOP ROCK – Black Hole Superette

Although Aesop Rock writes cryptic lyrics full of complex words and delivers them over science-fiction-sounding beats, his rap is very down-to-earth. It reflects on an ordinary life, on the existence of someone who goes to the supermarket, enjoys gardening and worries about his dog. But once again, nearly thirty years after his debut, Aes excels at making the ordinary extraordinary.